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Here’s a Quick Way to Build Relationships with the Media

2 Comments 20 October 2010

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We all know the best way to get the media to pay attention to our pitches is to get to know them personally.

This may seem like an impossible task, especially if you're send out tons of information and get little response in return.

But it's not impossible. You just might be targeting the wrong crowd.

Major magazine editors are hard to reach. There is no doubt about it. They are busy people inundated with hundreds of people pitching them things all day long. All while they have an important job that they are paid to do – edit the current issue.

If you flip through the issue of any current magazine, you'll find many articles with a writers name attached to it. Typically these writers are not listed in the masthead because they are freelancers working for a variety of publications. The great thing is that these writers need sources, and in some cases products, to complete their features.

If you take particular interest in an article that fits with your business, note the writers name and search for them through Google. Often times, they have their own personal websites with an email contact. Send them a brief personal note complimenting them on the article you read, and ask if they ever need sources in the area you work in (or, if relevant, if they sample products). This is a great way to start a relationship with a media professional and let it blossom over time.

This also works well for industry "experts" that you may find on television. If you notice an expert on a national show that is presenting products, use the same strategy above (make sure in this case you are contacting them regarding the testing of your products. They would not need expert advice if they are the "expert" already)

As always, I'd love to hear your feedback on how you've built relationships with the media. Please leave a comment below!

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Behind the Scenes of an Editorial Photo Shoot

No Comments 07 October 2010

Last week I had the privilege of participating in an editorial photo shoot for a national magazine. Even though my role that day was working as a model, my inner-publicist couldn't help but sneak through. As I noticed the racks of clothing and scoured the table of accessories, I immediately empathized with all fashion and accessory designers who would die to have their creations make it into the shoot and score that elusive photo credit.

But the longer I sat through hair and makeup, I also realized the many misconceptions that come with getting publicity for a fashion or accessory line. The "old" way of scoring publicity would be to write a standard press release about your collection, compile a Look Book, and address both to the appropriate fashion or accessories editor at the publication. Here's the problem with this "old" method.

This particular shoot was scheduled a few weeks in advance. The editorial staff put in a call to a stylist and provided specific instructions as to what colors, sizes, and types of clothing they wanted. The stylist then pulled two racks of clothing that comprised these instructions as well as matching jewelry and shoes and brought them to the shoot.

There were five models at the shoot – each with two outfit changes. There was probably 10x the amount of clothing needed at the shoot (this is the stylists job to bring 'more than needed'- just in case).

Each model changed in and out of outfits several times to find the right fit. The stylist made her recommendation, but the two editors on hand had final decision. No two girls could wear the same color or style of dress. Also our hairstyles dictated what type of jewelry would be most appropriate.

So what does this mean for emerging designers looking to have their pieces "pulled" for fashion shoots?

  1. Don't just rely on magazine editors. Build relationships with stylists who actually choose all of the designs that make it to the shoot.
  2. Be easy to work with! If you get the call, send your stuff on time and give them a variety of samples. If you have a showroom, invite the stylist to come and pull the pieces he/she likes best. Otherwise get as much detail about the shoot and possible and send appropriate pieces.
  3. Clearly mark each item so you get credit. Everything should have a tag with the name and ideally the price (some editors only want to feature things within a certain price point).
  4. Don't be disappointed if your items aren't featured. Even more important – don't ever express your disappointment to the stylist or editorial team. There are multiple decision makers at a shoot and you are at their mercy. Always feel grateful that your items were called in, if you don't get a feature this time, there is always more opportunity in the future!
  5. Always include instructions on returning the samples with your shipment. Most stylists and editorial teams have no problem returning samples, but it's always smart to take the extra step and include the instructions where they can ship the items back to and a detailed list of which items were included in the package.

By the way – check out this great announcement! I now offer email coaching – an effective, affordable, and fun way to pick my brain while you're carrying out your publicity strategies. If you want more info on this program, just send an email to casseracommunications [@] gmail.com with the subject line "I'm Interested" and I'll send you all the details icon smile Behind the Scenes of an Editorial Photo Shoot

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What to Do When The Media is Just Not that Into You

No Comments 19 August 2010

It’s inevitable. You send a pitch to the media and then….nothing. Now you start to worry. Will they respond to my email? Will they call? Days or weeks go by and you follow up again. Nothing. Your brain overloads with thoughts:
 
·       Maybe it went in their junk mail?
·       Maybe they never got my message?
·       Maybe they are too busy and will get back to me another day?
·       Maybe they hated it.
·       Maybe they hate me.
·       I suck.
·       PR sucks.
·       I give up.
 
Does this situation sound familiar?
 
I remember when I was a needy, angst-y youth – I would wait by the phone for the boy I liked to call. Then I would ponder every possible excuse why he didn’t (maybe he lost his beeper, or got stuck at football practice, or fell in a ditch?) Reality was…he just wasn’t in to me. All those hopeless days and sleepless nights waiting by the phone when the answer was right in front of me. When the book, and following movie, appropriately titled “He’s Just Not That Into You” came out, I was well past my years of dating and already happily married. But I started to think that these pearls of wisdom can also be applied to other areas of life.
 
When you’re pitching the media, following up, and trying your hardest to get a placement – sometimes the answer is The Media is Just Not that Into You.
 
Let me explain.
 
If the media thinks your product is a great fit for what they are working on at that time, they will let you know right away. If they think you are a great source for a story, they usually contact you almost immediately to schedule an interview.
 
If you hear nothing, the reality is that it’s just not a fit for them at this time.
 
It doesn’t mean that they won’t archive your pitch for future use (I’ve had editors contact me a year after I sent a pitch). It could also mean that your pitch won’t be a right fit for plenty of other reasons that are not in your control. I’ve seen products turned down because they weren’t the right color, they were too small, too large, geared toward too old or too young of an age group, because it didn’t fit the editor’s taste, it was too cheap, too expensive, etc. 
 
More than 90% of pitches to the media are turned down. Don’t take it personal.
 
However, understanding why the media doesn’t want to cover your business makes it much easier to stay encouraged with your campaign. The keys to a great publicity campaign are patience, persistence and setting appropriate expectations. If you’re dating, you’re likely practicing these three things as well – patience to find the right match, persistence in not giving up when you find a lot of bad matches, and making sure you’re not expecting Prince Charming to sweep through the door. In fact, expectations can also contribute to a failed marriage (trust me – I was dangerously close to one).
 
Taking some themes from “He’s Just Not that Into You” (the book and movie) – here are some ideas for aligning the proper expectations in your publicity campaign!
 
“The Exception, Not the Rule”
 
“Your neighbor’s best friend’s mom met a man in a bar and he gave up his macho-ways to marry her in 3 months.”
 
As the movie quotes – “This is the exception, not the rule.” Whether this is true (or likely here-say) this is a chance encounter, not something that normally happens.
 
From a publicity perspective, have you ever heard the following: “So and so contacted Oprah Magazine and heard right back from them and a month later they had a 4-page feature in their issue.” Or, “Molly media-pants told me that she got picked up in every major magazine without even pitching. They just found her randomly!”
 
Not to say that these situations never happen, but don’t bank on them. Publicity is a lot of work. There is no secret sauce or quick tip to getting publicity for your business. It takes ongoing time and effort to really achieve the results you desire.
 
Go into your publicity campaign understanding that you will get out what you put in. No whining, no excuses. No listening to crazy, hyped up stories from Publicity Romantics. Put in the effort required, and you will get results.
 
“If a guy doesn't call you, he doesn't want to call you.”
 
It took me a long time to accept this in my personal life. Good thing my now-husband wanted to call me, and also marry me J
 
With the media, if they want to feature your product, your business, or use you as a source – they will call you (or use some other form of communication to get in touch). If you’re trying to connect with someone and they are not returning your calls and emails – move on.
 
Fortunately in publicity, moving on doesn’t necessarily mean never re-connecting with that person again. It just means you need a new approach, a new product, a new way of presenting that might pique their interest, or just better timing. The more you practice pitching, study the media you’re trying to connect with, and think about how to make your business more “media-worthy” the more interest you will gain.
 
Think of it as a “business media-makeover!”
 
“Cut your losses and don't waste your time”
 
Rejection kind of sucks.
 
I moonlight as an actress, TV Host and spokesperson, and I have to tell you that I get rejected A LOT. I’m pinned up against thousands of other people that are prettier, smarter, have more training, have better connections, etc. When I leave an audition, I take three deep breaths and just let it go. I can’t change anything I did in that room.
 
If you get an absolute “no” from a media outlet (and it will happen), don’t feel discouraged. Cut your losses on that pitch, and move on.
 
Some “no’s” I’ve heard for clients are:
 
·       It doesn’t fit the demographic of the magazine (too old, too young)
·       It’s not a new launch (and by new launch, that means out the same month as the coverage – remember magazines work 4-6 months ahead so your new launches need to be planned far in advance)
·       It’s not widely available (sold in a big box retailer)
·       It’s too expensive, or too cheap
·       It’s not something they think their readers would actually use
·       The packaging or the product itself does not photograph well
·       You don’t have the credentials they need for an expert
·       Your interview did not result in anything they were interested in printing
 
Some of the above items can be fixed – either by launching a new product, changing your packaging, or perfecting your interview skills. However, I don’t recommend an overhaul of your business just to try and fit the needs of one outlet. I do recommend being more aware of the reasons it won’t fit, and how that works in the bigger picture of your business.
 
Remember, there are plenty of other fish in the sea. Don’t let a “no” from a big magazine crush your dreams. We all get rejected….it’s how you deal with the rejection that ultimately matters.
 
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PR for Businesses that Don’t Target Consumers

No Comments 10 August 2010

Business to Business PR may differ in name from Business to Consumer PR – but the practice is essentially the same.

If you have a business that caters to other businesses, you have a great tool at your disposal – trade publications.

Almost every industry has a trade publication. The Wedding industry has Vows Magazine. Children's fashion is Earnshaw's. Toy industry has TD Monthly. A simple Google search using the target industry (toy, beauty, fashion, digital, software, etc) and the words "trade publication" will yield several results. Pitch your company news or – for a stronger pitch – pitch yourself as an expert that can contribute to an article. For example, if you're a Social Media Expert, you can pitch a tip sheet specific to a particular industry on how they can use Twitter/Facebook or emerging platforms like Foursquare to market. Trade publications often appreciate this type of content for their readers.

Also check out general business publications like Entrepreneur and Businessweek. CNN, MSNBC and Fox News feature programs ripe for B2B news.

Another great way to obtain press is searching for your local business journal. They often have local business profiles and opportunities for business awards such as "Best Places to Work."

As with all PR efforts, take the time to research the outlets before pitching. You will need to know what stories they cover and how you can contribute before reaching out to them. Start by making an excel list of all the B2B outlets relevant to your company, and then become familiar with them. Then craft a pitch tailored specifically to each one.

Happy Pitching!

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Editorial Deskside Meetings

No Comments 01 July 2010

Last week I headed into NYC for a series for deskside meetings with various editors at top magazines like Woman’s Day, Allure, People, More, Health, Parents, etc. The purpose of these meetings is to get your products in front of the editors, present samples, and answer any questions they have. Even more importantly, it provides a chance to pick their brain about how your product will fit into their publication, which products they are actively seeking, and what specific issues they are closing. Here are a few tidbits from the meetings you might find interesting:

  • Many are closing up October and working on November. Meaning that the December gift guides for many are still wide open (though they are actively seeking products).
  • Most do not know their theme yet for the gift guide or round-up, but have an idea based on prior years what they are looking for.
  • New launches are most important. Anything new launching for the holiday is often more appealing than products already on the market.
  • List of retail stores is important for placements. Although selling online is great, the wider the availability – the better.
  • Bring samples and a media kit to leave behind. Your contents can simply be a press release and product catalog with photos, descriptions and prices.
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